Praising Budding Artists for Their Work

Words of encouragement go a long way to inspiring young artists. “Creativity is so delicate a flower that praise tends to make it bloom, while discouragement often nips it in the bud. Any of us will put out more and better ideas if our efforts are appreciated.” - Alexander Osborn

For example, "I love the way you...", or "Your style amazes me." is a great starting point. Get people talking about their art and have them practice talking about the work of other artists. "What do you like about it?" "Why did you choose this color combination?" Use art vocabulary, explaining how their choice of complementary or contrasting colors added interest. Besides praising an artist for their own unique style, it might be helpful to compare their work to that of other more famous artists. It also helps to take a picture of your art on your phone. Seeing a photo can change one's point of view away from the canvas you've been staring at for an hour and a half, and that which you've become overly critical.

Making connections with other artists and even the subject matter -- "Your brushstrokes remind me of Van Gogh" or "That reminds me of MY dog" -- are inspiring comments for an artist to hear. Their work is being thoughtfully acknowledged for its content, execution, style, or the feelings it invokes in the viewer.

Two Crabs (1889), Vincent Van Gogh

My family, friends, and colleagues encourage me to do more art. Museums are always stimulating, especially when I discover another Van Gogh painting or see a Rembrandt in person! Flemish artist, Peter Paul Rubens was heavily influenced both artists. Van Gogh was also influenced by his friend, Paul Gauguin, who encouraged him to paint from his imagination, French realist Jean-François Millet, other Impressionists, and Japanese art. Van Gogh painted Two Crabs in 1889 as an experiment in complementary colors inspired by the color theory of Eugène Delacroix.

In May of 2017, I saw it hanging in The National Gallery in London's Trafalgar Square.

Emily's Chicken

I wonder if PawsWithCause resident artist, Emily, was inspired by Van Gogh's crabs. Here is her portrait of a chicken in a very similar contrasting color scheme. Amazing! And I love the brushstrokes!!

An art docent needs to understand and become familiar with the elements and principles of visual art.

As time is often limited to an hour and a half, it is important to monitor the progress of the artist's portrait. They need to decide where to start, then begin to lay down paint. If they have a favorite color and are unfamiliar with brushes and the medium, you may suggest starting with the background. Help the novices mix their color in the large space in the center of the palette, making enough to cover the surrounding area. Often, with Seniors especially, the background is left blank. If the body of the subject animal is grey, that too may require mixing lots of that color in the middle of the palette.

One of our seniors spent most of her time outlining the features of her white cat and chose to limit her palette. She simply used black paint to suggest texture on the cat's coat. She carried on and used black for the front paws in shadow. The cat's tail saw the beginnings of Pointillism that had time permitted would have been an awesome technique to finish with. Because there was no paint applied to the background it made for a harmonious somewhat linear composition.

White Angora Cat (1761), Bachelier

Another favorite of mine is this portrait of a white angora cat beautifully (oil) painted by French artist, Jean-Jacques Bachelier. Here we see a cat chasing a butterfly. The cat's fur is well-executed. Though I wouldn't want to have to brush that coat!

All one-color animals, such as white or black cats, or white, brown, or black dogs, are particularly challenging to paint. It may take time to execute the subtle shading (primarily shades of grey). As an art docent I'd recommend doing small areas at a time while the paint is still wet; this is when blending is most successful. Maybe work on the head, then body and legs. Highlights may be added later, as with the back and tail in Bachelier's painting.

Two Cats Blue and Yellow
(1912), Franz Marc

Cats on a Red Cloth (1909),
Franz Marc

20th century German Expressionist Franz Marc captured some cats sleeping or grooming themselves. The first painting is more realistic than his second more expressive Cubist work. Can you find the mouse?

18th century English artist Thomas Gainsborough also studied feline positions of the Great Cat. According to the referenced link, his black-and-white chalk drawing is similar to that of another famous artist from the 15th century.

Apparently, I missed Paul Gauguin's Flowers and Cats (1899) while visiting the Ny Carlsberg Glyptotek museum in Copenhagen, Denmark on our cruise to the Baltics in June 2019.

Another recent post, entitled Making Connections with Artists & Animals features the cats of French Fauvist Henri Matisse.

Many of the world's most famous artists kept cats as pets. Here's a list:

Henri Matisse (Minouche, Coussi, and Le Puce); Pierre Bonnard (Cat);

Salvador Dali (Babou); Gustav Klimt (Katze); Georgia O’Keeffe (Siamese); 

Pablo Picasso (Minou); Louis Wain (Peter); Andy Warhol (Sam); and

        Wassily Kandinsky (Vaske)

We lost American artist Laurel Burch in 2007. She was famous for her bold cat designs such as those featured in one of her books, Fantastic Felines (1997). I believe we've done a jigsaw puzzle like this.

by Bill

Many of the artists who paint the shelter animal portraits are seniors who hang out at senior centers or assisted living establishments. One such artist is Bill, whose work is reminiscent of German Expressionist, Max Beckmann. See my post entitled, 'Egyptian Art, Sculpture, and Tombs'.

Another PawsWithCause patron painted this portrait of Cai with a light green tennis ball in its mouth. The artist's style is also like Beckmann, but with more of a Surrealist vibe. The background continues with the lime green color, adding little wispy shapes much like Henri Matisse decorated his red wallpaper in his Fauvist works. The touches of blue add interest to the composition.

You may also appreciate Medford the dog, who is sporting a Dio de Los Muertos mask on his face, reminiscent of the art of Frida Kahlo or Diego Rivera. Spanish Catalan painter Joan Miró often used a black background and Whimsical shapes (like spirals) to create his abstract art with Surrealist fantasy. Notice how the brushstrokes in his blonde fur add a realism that adds an anthropomorphic touch as if the animal is celebrating a human holiday. See Pepe the Dog in my post entitled, Making Connections with Artists & Animals.

Marlee is a good example of Realism. I especially like the artist's use of small, jagged brushstrokes, lending texture to the dog's coat. Happy accidents, like allowing the marker outline (from the original sketch) to show through, accentuate subtle features. I love the impressionistic background which further softens the overall painting. Check out the eyes with different color irises!

This portrait of Emma shows a good example of well-executed shading. The blue-gray color that the artist chose is a beautiful complement to her orangish-brown coat. Her sad eyes and overall color scheme make me think of the melancholy paintings (like "The Scream") of Norwegian Expressionist, Edvard Munch.

Many of our painting sessions, as with many of the art classes I've taught, are often too short for seniors or even younger students to complete a portrait in the allotted time. Although not common for established painters and master artists, some works are intentionally unfinished.

Gilbert Stuart created the Athenaeum Portrait of George Washington that currently hangs in the Smithsonian's National Portrait Gallery. The unfinished work was used to paint 130 copies sold for $100 each and for the engraving of GW on the US $1 bill.

The only other unfinished painting I've ever seen is “An Allegory of Virtue”, attributed to Corregio (~1489-1534), which hangs in the Scottish National Gallery in Edinburgh. 

Tips for Creating Landscapes

Photo of the View from the top of Cedar Butte

When painting landscapes, I like to use a reference photo as a guide to help capture atmospheric and realistic detail. You may also find inspiration by painting outdoors (en plen air). Here's a photo I took at the top of Cedar Butte. See my September 2022 post, Painting Using MS Paint 3D -- How To.

My Paint 3D Landscape

I painted the background first, then added foreground elements such as bushes and trees later. For oils and acrylics, you may choose to lay down a darker color for the background and work up in value for the addition of clouds. For pastels, simply start with paper that is already a neutral (not white) color.

Use color temperature to create the illusion of depth. Add opposite colors to either cool down the color of mountains in the background or warm up the trees in the foreground. I chose to lay down bands of color in my background then framed the sky with an outline of the mountains. I chose a cooler purple for my mountains and gradually got warmer toward the foreground. My painting is brighter than the photo. Adding the trees over the background in contrasting dark green (instead of black) continued to elevate the overall temperature.

Bob Ross painting with a cabin

Create a focal point in your in the composition. This can be a barn or small outbuilding (palette knife comes in handy for the texture), or even a large, interesting tree. You may choose to make the barn stand out by using sharp contrast in colors or values and shading for more emphasis. This painting by Bob Ross would be fun to try in pastels.

Another Bob Ross painting using a palette knife
and a two-inch brush

Use the palette knife to add texture and crisp edges, Bob Ross used the edge of his knife to create water lines next to the shoreline and ripples in the water. It also helps create texture on snowy mountains. A large dry brush pulls down paint for the reflection. Then light, side-to-side strokes soften and blend for the illusion of water. His use of temperature in the rainbow-colored sky almost makes his composition like two different paintings.

Jeu and Bryce at Lake Sawyer
(2022), Patterson

Simplify the clutter (edit out unwanted details). Give the illusion of numbers, but don't try to paint every individual tree you see. Map out the overall shapes for the grouping of trees, then add just a few details. This is something that Impressionists like Monet mastered in suggesting a forest or line of trees.

Mary's Creepy Landscape

Try using a limited palette of colors and subtle variations between them. Use brighter, more saturated colors and more delicate brushwork for the focal point (compared to the rest of the painting). This one was done by one of my students at Franke Tobey Jones' Senior University. I'm guessing that the bright moon is the focal point. My favorite part is the turbulent water.

Beach in Pourville (1882), Monet

Embrace imperfection. You don't have to be completely accurate with values, colors, and structure as you would in a still-life or portrait. Impressionists like Claude Monet loved to paint beach scenes, often void of human figures, to create a mood and a soft composition of color. The only real value or shading comes in the cliffs framing the bottom right corner.

Landscape at Collioure (1905), Matisse

Employ timed sketches to improve your judgment. Practice painting on smaller canvases using quick sketches and limiting the time it takes to complete your painting. Famous artists used studies to plan the placement of elements, color scheme, and composition. It may also help you to decide when your painting is finished.

Grand Canyon of the Yellowstone (1872),
Thomas Moran

Let's finish with this spectacular landscape of the Grand Canyon of the Yellowstone by Thomas Moran. I love the contrast between the foreground and sunlit canyon. He painted several versions of the canyon, capturing the scenic view in all four seasons.

My brothers and their wives visited Yellowstone recently while attending my daughter's wedding in Montana. Two trees frame the view of the watery focal point in this photograph by my sister-in-law.

Animated and Cartoon Dads

In honor of Father's Day, let's explore animated and cartoon Dads. One of the earliest examples of husband and father is Dagwood Bumstead who first appeared in the Blondie (née Boopadoop) comic strip created by Chic Young in 1930. Over several years, Blondie transformed from a carefree flapper to a sensible suburban housewife, while her (then) rich boyfriend Dagwood went from wealthy straight man to penniless clown.

He was father to Baby Dumpling (Alexander) and Cookie Bumstead. The film series ran from 1938-1950, starring Penny Singleton and Arthur Lake.

Another popular comic strip (turned movie) was called, Bringing Up Father, which was created by cartoonist George McManus and ran from 1913-2000. The strip is about an immigrant Irishman named Jiggs who wins the lottery and can't seem to lose his middle-class ways. His wife, Maggie, wants him to rise to the upper class. They are raising daughter Nora and son Ethelbert.

Films

One of my favorite films, starring Irene Dunn and William Powell, is Life With Father (1947). The film was based on a 1939 play inspired by the 1935 autobiography of stockbroker and (The New Yorker) essayist Clarence Day. Father is a straitlaced turn-of-the-century man living in a household of boys whose mother (Vinnie) rules the roost. You may recall that Elizabeth Taylor played the young girl visiting from out of town who becomes the love interest of Clarence Jr.

In 1950, Dennis the Menace appeared on the scene with his rather innocuous father Henry Mitchell and wife Alice. The strip was created by Hank Ketcham. Neighbor Mr. Wilson is more prominently involved in Dennis' capers and we only see Henry leaving for work or arriving home to hear about Dennis' exploits. The popular TV series ran from 1959-63 with Joseph Kearns and Gale Gordon playing Mr. Wilson. Let's not forget the 1993 film version starring Walter Matthau as Mr. Wilson.

We all remember the character of Peter Pan. He first appeared in 1902 in The Little White Bird by J.M. Barrie, in his 1904 play, and later in the 1952-3 animated version by Walt Disney. Maybe you recall George Darling as the father of the children (Wendy, John, and Michael) that Peter visits and carries away to Neverland. While the Robin Williams 1991 film version, Hook, has George Darling as a grown-up Pan, the father has doubled as Captain Hook in the 1954 musical version starring Mary Martin. For my daughter, we always referred to this as the 'people version' of the Disney animation.

Animation & Cartoon Characters

In the 1956 children's novel by Dodie Smith, Pongo is the dalmatian father responsible for 101 puppies. He also appeared in the 1961 Disney animation and the 1996 movie starring Glenn Close as Cruella de Vil. I'm not sure about the 2021 prequel, Cruella starring Emma Stone as a young Estella/Cruella.

In the 1940s Metro-Goldwyn-Mayer's Tom and Jerry cartoons, Tom was often tormented by Spike. The American bulldog and his son, Tyke also appeared in (1957) animated short subjects.

My favorite animated dad has to be 1959-61 Hanna-Barbera cartoon character Doggy Daddy (father to Augie Doggie). I think they were Bassett hounds. See my post, Animated and Cartoon Dogs from December 2021.

Talking Great Dane Scooby-Doo (Scoobert "Scooby" Doo) and best pal/owner Shaggy (Rogers) comprise the bungling duo of the Mystery Inc detectives.  In 1979 Hanna-Barbera added Scooby's son, Scrappy-Doo. As with Augie Doggie, Scrappy was smarter than his canine father.

Popeye was uncle to four nephews: Pipeye, Peepeye, Poopeye and Pupeye. He was also father to adopted son, Swee'pea. Poopdeck Pappy also appeared as Popeye's father in the cartoon series created by E. C. Segar in 1936.

Papa Smurf was the patriarch of the little blue elfin creatures that first appeared in 1958. He's the only character who didn't wear white. He was voiced by many talented voice actors, including Mandy Patinkin. There was even a Grandpa Smurf who was voiced by Jonathan Winters.

The Flintstones (1960-66) character Fred was based on bus driver Ralph Kramden (Jackie Gleason) from the Honeymooners. Even the voice of Wilma is reminiscent of that of Alice Kramden (Audrey Meadows). Fred became a father in 1963 when his daughter Pebbles was born. Also in the third season, Bamm-Bamm was adopted by neighbors Barney and Betty Rubble.

The Jetsons began in 1962 with "Rosey the Robot" maid. George Jetson was father to teenager Judy and younger son Elroy Jetson. Hanna-Barbera and Disney were responsible for giving us animated family entertainment.

The Rugrats (1991-2006) was about the exploits of the Pickles kids from their perspective. Big sister, (meanie) Angelica, Tommy (main character), and baby Dil were fathered by Stu Pickles. His father, Lou also appeared in the cartoon series, along with redheaded Chuckie Finster (and his father Chas).

I never got the chance to go to a baseball game with my father. Luckily, I 've gone to many professional baseball games with my daughter.

My Life as a Struggling Artist and Volunteer

Manet +/- Space Project, Lowell Elementary

I've been encouraged all my life to create art. While I am not as prolific as other artists, I do try to share what I've learned about art with others; and that has been one of my goals in retirement. Early on, my focus was volunteering in elementary schools, but that ended with the pandemic. I am now much more challenged to find outlets for my creativity.

Bo the Dog, PwC

Probably my most successful retirement endeavor has been volunteering with PawsWithCause. The non-profit organization allowed me to continue teaching others how to do art at paint parties, to employ salesmanship in raising money for a cause, show artwork of others, build community, and do custom pet portraits upon request.

Kandinsky Circles, Old Friends Club

I have been successful at teaching seniors in multiple locations, including assisted living communities, adult memory daycares, senior centers, and a senior university (in Tacoma). I've also taught online classes a few times. I don't understand why it takes so much effort to volunteer my services. Even with websites like VolunteerMatch, it is difficult to get pro-bono work that doesn't limit my own creativity or require me to use my own supplies.

My Degas Demo, FTJ Pastels Class

I've been happy teaching at Franke Tobey Jones' Senior University in Tacoma, where I get a stipend and get paid, but that's only twice a year, if I'm lucky. My students are a willing and captive audience. It surprises me that senior centers are less interested in doing art and favor playing Bingo. Assisted Living communities should also welcome someone to conduct art activities, but they have their own staff and such limited budgets. I wonder if I could apply for a grant to bring my own prepaid art supplies to senior communities.

Castle Landscape in Paint3D

So, here I sit in my office blogging about past experiences. I occasionally paint portraits or landscapes in my spare time. My brother helped encourage me to learn Paint3D and I've done several awesome paintings on my PC using a mouse. I've even tried homeschooling 'grandkids' and got paid to bring art lessons to a nearby summer camp. Both gigs challenged me to adapt my lesson plans for students ranging in age from 4-13 years old.

Palm Tree, Circle of Love Class

What all of this 'struggle' is meant to convey is that sometimes creativity is required in order to successfully dedicate oneself to volunteering. I guess I thought that it would get easier over time, and that with blogging and posting on Facebook more people would be asking me to teach classes and volunteer.

City Dog Park, Palm Springs, CA

Bryce and Friends, Redding, CA

Over the past few years, I've used our trips to Palm Springs as an opportunity to paint, do animal portraits of dogs from the local dog park, and develop lesson plans and project demos.

Retirement may not mean that you will stop working. Instead, you may find creative ways of playing and exploring your newfound independence with a spirit of adventure. Living a creative life means to focus on curiosity rather than a fear of failure. Imagination, innovation, and persistence are the energies that also help us solve problems. While I've experienced some disappointment along the way, I've enjoyed the process and haven't given up. As American Christian author and speaker Joyce Meyer once said, "Patience is not the ability to wait but the ability to keep a good attitude while waiting". 

Recent Artwork -- Acrylics & Watercolors

J.P. at Bat (2023), Patterson

While vacationing in Palm Springs this year I completed two more paintings, one acrylic and one watercolor. The first is a portrait of Mariner shortstop, J.P. Crawford, last season's leadoff hitter for the Seattle-based baseball club. It was so well-received on Facebook that one of our long-time friends wants to buy it for her avid baseball fan husband.

During one of the ALCS playoff games, I captured an image from the TV, then painted it using acrylics. The forearm tattoo was challenging, and I am very pleased with how well the background fans turned out.

Benny and Moana (2023), Patterson

My friend from the Palm Springs City Dog Park commissioned me to do a portrait of his two dogs, Benny and Moana. I had planned to get a large canvas and use acrylics, but instead I decided to use 11"X15" watercolor paper and watercolors. My style has always been to build up layers of paint rather than using washes. I ended up gifting the portrait (unframed) to my fellow dog park patron. Per my research it was going to cost him ~$50 to purchase a matted frame, and I left it up to him to find one that he liked.

Chihuahua (unknown)

In the Airbnb where we stayed there was a large portrait of a dog hanging in one of the bedrooms. The artist chose to use bright, non-traditional colors for this abstracted version of a chihuahua. Someday I will try my hand at alternative color schemes.

Jeju & Bryce (2022), Patterson

I did try woodburning last year in my portrait of Jeju & Bryce. Shading is accomplished by using different sized tips and varying both the pressure and length of time on the wood surface. Hopefully, I didn't ruin the tip by dragging it along the surface. Most of the class chose to do mountain landscapes with black silhouetted evergreen trees. I suppose those scenes made for more useful charcutier boards!

Sketch + Dogs

Lake Sawyer Dogs
(2022), Patterson

You may remember my other portrait of our pets captured in this beautiful Lake Sawyer landscape from last February. I began the portrait in a Zoom class put on last year by PawsWithCause as a training for its volunteers. I was inspired by late TV painter, Bob Ross and his happy little bushes and trees.

Lilly (April 2022), Patterson

In April of last year, I painted a portrait of Lilly, a greyhound mix from a local animal shelter in Kirkland, Washington. My niece loved it enough to purchase it as a donation to PawsWithCause. She planned to display it on her desk at her office. I love the glassiness of her eyes and all the colors of her fur. The muted primary colors of the collar and background also work well in the composition.

Puzzles for PawsWithCause

I used a laminated print of the portrait in a puzzle I made for kids attending one of our farmers markets.

Lakeside Castle (2022), Patterson

Inspired by a landscape by one of the students who attended my September 2022 acrylics class at Franke Tobey Jones' Senior University, here's my very first attempt at using Paint3D on my desktop PC. It was particularly challenging to use a mouse on a PC instead of a stylus on a tablet.

View from Cedar Butte (2022), Patterson

Then, in October of last year, I recreated this painting of the view from Cedar Butte trail using Paint3D. Eventually, I will purchase a tablet and stylus, and try my hand as portraits instead of the less precise use of a mouse.