| The Park (1910), Klimt |
Everyone can do art. By that, I mean that anyone can learn to express themselves visually. Of course, this takes some encouragement along with a judgment-free environment. I have received encouragement over the years and am here to give some back. I want to share my favorite experiences in art, trips to art museums, lesson plans, and projects from classes I've taught. Even if you don't do art on a regular basis, you can still appreciate it and learn how to talk about it with others.
| The Park (1910), Klimt |
| White Lilacs in a Crystal Vase (1882), Manet |
For this post, I was inspired by the red-violet lilac bush that is finally blooming in my yard this Spring. Édouard Manet painted White Lilacs in a Crystal Vase in 1882. Notice how soft the flower petals are depicted against the detail of the glass vase.
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| Palm Springs Floral Arrangement (2021), Patterson |
I painted a bouquet of hydrangeas, lilies, and orchids in a very similar square glass vase using watercolors, achieving an impressionistic composition. Seeing how a master artist represented lilacs makes me proud of how a novice like me captured the texture of white hydrangeas. I also like the modern glass beads at the bottom of my vase.
| Lilacs in a Window (1880-83), Cassatt |
Mary Cassatt also captured lilacs in her painting, Lilacs in a Window (1880-1883). I especially like the lighting, and the mixture of lavender and white lilacs perched in an open garden window. This is an oil painting in an Impressionist style, even softer than the Manet above.
| Lilac Bush (1889), Van Gogh |
Vincent Van Gogh also painted a lilac bush, although much bushier than my own scraggly one. Because of the detail of his foliage, the execution of the bush departs from the better-known brushstrokes found in the background and to the right.
| Alliums and Lace (2017), Stafford |
Alliums are very similar to lilacs but in a spherical, ball shape. You almost have to be a Pointillist in order to capture the texture and multiple hues. Here's a painting by a Fine Art America colleague, Natalie Stafford. I love the shadow at the bottom left corner!
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| Monet |
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| Manet |
I've blogged about peonies and the paintings of bouquets by Claude Monet and Édouard Manet. Pretty different interpretations! I use the Manet version for lessons about positive-negative space, and the Monet for comparison.
| Young Woman with Peonies (1870), Bazille |
| Bouquet of Flowers in a Vase (1886), Van Gogh |
I also enjoy Van Gogh's interpretation of peonies. And I also found this portrait of a black woman by Frederic Bazille. It's really like three separate painting -- the flowers in the foreground, the bouquet of peonies, and the portrait of the woman.
| Still Life with Irises (1890), Van Gogh |
Of course, everyone loves Van Gogh's irises. I guess I never noticed the dark outlines of the flowers before. Of course, Van Gogh still use a lot of yellow in his paintings! I enjoy his saturated colors and high contrast and the feelings they invoke.
| Bleeding Heart (1932), O'Keefe |
There are several other May flowers I could show you, but I'm not as interested in Lily of the Valley and Bleeding Hearts. Georgia O'Keefe did paint bleeding hearts, although in my opinion not as impressive as many of her other floral closeups.
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| ...We Three Meet Again... (2003), Birdsall |
The first of two paintings is of three birds in a snowy scene (probably Alaska). It's my favorite.
Both were painted by Alaskan Watercolorist, Byron Birdsall (1937-2016). In a career that spanned 50 years, Birdsall painted thousands of watercolors/oils, including Alaskan scenes, panoramic landscapes, and even some portraits. I keep discovering more sprinkled around the apartment building.
Born in Buckeye, Arizona, he taught history for 6 years in California, then moved to Alaska to work in advertising, eventually taking up painting part time. Many professional artists, like Norman Rockwell, whose paintings were published in the Saturday Evening Post, worked in advertising.
Other artists who were also teachers:
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| White Bird of Paradise (1939) O'Keeffe |
She taught and continued her studies at the Teachers College, Columbia University. BTW, my mother grew up in NYC and lived in an apartment near the university. And my grandfather owned and operated a flower shop nearby.
O'Keeffe decided to become an artist at age 10, and received art instruction from local watercolorist Sara Mann.
O'Keeffe also taught and headed the art department at West Texas State Normal College.
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| I and the Village (1911) Chagall |
He studied painting under realist, Jehuda Pen, and then in 1907 he went to St. Petersburg, Russia and studied art for three years with stage designer Léon Bakst.
Following WWI, at a war shelter in Malakhovka, Russia, Chagall taught art to Jewish boys. The school was once an orphanage for refugees.
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| The Blue Bird (1968), Chagall |
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| Fishing Boats at Étretat (1885). Monet |
| On the Beach (1873), Édouard Manet |
Beach scenes were popular subjects in the paintings of the late 19th and early 20th centuries. As you can see here, Édouard Manet and his wife are fully dressed and seated on the beach to watch the big ships sail by. Both subjects are well-covered as if they needed protection from the sun, suspiciously absent from their surroundings. The gray and black figures stand out against the pale-yellow sand. Curiously, Madame Manet's bonnet and shoe get the most detail.
| Woman with a Parasol (1875), Monet |
Continuing with three paintings by Claude Monet, I must include Woman with a Parasol (1875) even though it may not be a beach scene like the other two paintings. I love the atmospheric effects that Monet has achieved in this painting of his wife and child. Monet reflected the green ground in the underside of Madame Monet's parasol. Her white dress is like a canvas reflecting the colors of her surroundings, making it seem like we're looking through and beyond her. I love this painting!
| The Beach at Trouville (1870), Monet |
Earlier, in 1870, Monet depicted this scene of The Beach at Trouville. It may have well been people walking on a city street instead of a boardwalk and sandy beach. This northernmost coastal city of France is over 700 miles from southernmost Nice, where we visited in May 2011, yet it looks quite similar.
| Beach in Pourville (1882), Monet |
Monet painted a series of more impressionistic beach scenes in 1882. The shadows of the cliffs in the bottom corner distract me almost to the point of drawing a 'line of tension'. Fortunately, the sandy curved shoreline directs me eye toward the muted building in the background.
| By the Seashore (1883), Renoir |
Pierre-Auguste Renoir painted lots of portraits of women, including this one where the subject is posing in a wicker chair in the artist's studio. He added the beach scene in the background based on studies he did en plein air (outside).
| A Sunday Afternoon on the Island of La Grande Jatte (1884-6), Seurat |
| Fishing Boats at Sainte-Marie (1888), Van Gogh |
| Idle Hours (1894), Chase |
I'm less familiar with American Impressionists such as William Merritt Chase. When I saw this scene of his family relaxing on a grassy knoll, it instantly reminded me of Port Townsend, Washington (sans Pt. Wilson lighthouse). Chase was also an art teacher who taught two of my favorite painters: Georgia O'Keeffe and Edward Hopper.
| Lady with a Parasol (1900-1), Sargent |
| Women Walking on a Beach (1909), Sorolla |
Our final artist is Spanish painter, Joaquín Sorolla. He has successfully captured his wife and eldest daughter taking a stroll along a beautiful beach. I love the movement and his ability to create a subtle value range using whites and grays. I'm assuming the daughter is on the right, carrying only her straw hat, while her mother is burdened with a coat and umbrella. Sorolla has cut off his wife's head and interrupts the wave crest with her hat and his daughter's hair.
| Magnolias (1945), Frida Kahlo |
| Red Canna (1924), O'Keeffe |
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| Scenery from 5th-Grade Production of The Music Man (2017) |
| The Golden Section |
We each possess our own design aesthetic -- we know what we like when we see it, and know what we don’t like as well. Don’t be afraid to express yourself. Training yourself to design something requires an open mind and willingness to explore concepts (like composition and proportion) and practice to build up your own confidence and creativity.
| Endless Highway (2017), Bob Dylan |
| Billie Holiday by Shen |
| The Large Cat (1657), Cornelis Visscher |
| Two Cats Blue and Yellow (1912), Franz Marc |
| Cats on a Red Cloth (1909), Franz Marc |