Beach Scenes & Women with Parasols/Umbrellas

On the Beach (1873), Édouard Manet

Beach scenes were popular subjects in the paintings of the late 19th and early 20th centuries. As you can see here, Édouard Manet and his wife are fully dressed and seated on the beach to watch the big ships sail by. Both subjects are well-covered as if they needed protection from the sun, suspiciously absent from their surroundings. The gray and black figures stand out against the pale-yellow sand. Curiously, Madame Manet's bonnet and shoe get the most detail.

Woman with a Parasol (1875), Monet

Continuing with three paintings by Claude Monet, I must include Woman with a Parasol (1875) even though it may not be a beach scene like the other two paintings. I love the atmospheric effects that Monet has achieved in this painting of his wife and child. Monet reflected the green ground in the underside of Madame Monet's parasol. Her white dress is like a canvas reflecting the colors of her surroundings, making it seem like we're looking through and beyond her. I love this painting!

The Beach at Trouville (1870), Monet

Earlier, in 1870, Monet depicted this scene of The Beach at Trouville. It may have well been people walking on a city street instead of a boardwalk and sandy beach. This northernmost coastal city of France is over 700 miles from southernmost Nice, where we visited in May 2011, yet it looks quite similar. 

Beach in Pourville (1882), Monet

Monet painted a series of more impressionistic beach scenes in 1882. The shadows of the cliffs in the bottom corner distract me almost to the point of drawing a 'line of tension'. Fortunately, the sandy curved shoreline directs me eye toward the muted building in the background.

By the Seashore (1883), Renoir

Pierre-Auguste Renoir painted lots of portraits of women, including this one where the subject is posing in a wicker chair in the artist's studio. He added the beach scene in the background based on studies he did en plein air (outside).

A Sunday Afternoon on the Island of
La Grande Jatte (1884-6), Seurat

The classic A Sunday Afternoon on the Island of La Grande Jatte was painted by Georges Seurat and depicts Parisians relaxing in a park on an island in the Seine River. It's probably the most famous Pointillist work of Neo-Impressionism. And also a very large painting measuring 6.6 ft × 9.8 ft. I usually try to tell my students the size of the painting that inspired my art lesson.

Fishing Boats at Sainte-Marie (1888), Van Gogh

Vincent Van Gogh's beach scenes typically contain brightly colored fishing boats. This one resembles Renoir's By the Seashore in that the subject boats stand out vividly against the more pastel background. The distant sailboats on the water almost disappear at the horizon.

Idle Hours (1894), Chase

I'm less familiar with American Impressionists such as William Merritt Chase. When I saw this scene of his family relaxing on a grassy knoll, it instantly reminded me of Port Townsend, Washington (sans Pt. Wilson lighthouse). Chase was also an art teacher who taught two of my favorite painters: Georgia O'Keeffe and Edward Hopper.

Lady with a Parasol (1900-1), Sargent

My favorite portrait painter has to be John Singer Sargent. His Capri Girl (my favorite) and other more formal portraits are unlike this one of a reclining Lady with a Parasol. Though in an awkward position, the shapes and swirling lines make for an almost abstract composition. I enjoy stumbling upon these gems whether I'm researching for my blog or visiting an art museum.

Women Walking on a Beach (1909), Sorolla

Our final artist is Spanish painter, Joaquín Sorolla. He has successfully captured his wife and eldest daughter taking a stroll along a beautiful beach. I love the movement and his ability to create a subtle value range using whites and grays. I'm assuming the daughter is on the right, carrying only her straw hat, while her mother is burdened with a coat and umbrella. Sorolla has cut off his wife's head and interrupts the wave crest with her hat and his daughter's hair.