Artworks With Green

 

The Park (1910), Klimt

My first pic is a good transition from my last 'interview' post about the style of Robert Milaschewski, though meant to be posted for St. Patrick's Day. Here we see what could be described as a landscape, although dominated by tree crowns, with only a hint of tree trunks at the bottom. Instead, Gustav Klimt has used primarily a mosaic of green dots forming an abstract composition. It comes on the heels of the late nineteenth century movement, called Pointillism, which was developed by French artists, Georges Seurat and Paul Signac.

Green Wheat Fields, Auvers (1890),
Van Gogh

Here is a closeup taken from (the lower left corner of) Van Gogh's Green Wheat Fields, Auvers (1890), which was painted during the last months of the artist's life. When viewed without the upper half containing the sky and clouds, his green and white brushstrokes become abstracted, much like the dots in Klimt's leaves.

The Green Wave (1866-67), Monet

Unlike other happier Impressionist paintings (from his gardens), Monet's The Green Wave (1866-67) is painted in monochromatic teal green and black. Boats and the seaside were common themes for Monet, though usually calmer depictions of couples enjoying a leisurely outing. I would not have guessed this was his work!

Green Still Life (1914), Picasso

Although the green in Picasso's Green Still Life (1914) encompasses the entire background, it fits the theme of my post. I enjoy the patterned shapes on the wall and tabletop, giving life to the flat green shapes above which the objects would be floating without the black lines and suggested picture frame.

The Allure (1939), O'Keeffe

I was intending to show Georgia O'Keefe's Green Tree (1953), but it was almost too light for this category of green artwork. Then I found The Allure (1939), which is also known as Waterfall, No. I, Iao Valley, Maui. Her paintings of the Hawaiian landscape are reminiscent of her closeup paintings of flowers. The layers of the lush green mountains seem to be opening up to reveal the thin waterfall, as though it's the stamen of a flower.

The Green Dancer (1879),
Degas

Degas' The Green Dancer (1879) is complemented by the bright-orange clad dancers in the background. This isn't quite the green I was looking to highlight, though there's enough of the hue to warrant both the title of the painting and my subject. Degas does like to use diagonal lines in his composition and arrangement of the dancers' limbs. He has intentionally left the floor unadorned and in shadow.

The Green Christ (1889), Gauguin

The last painting, The Green Christ (1889), is by Paul Gauguin. It depicts a Brenton woman seated beneath a green-tinted statue of Christ's crucifixion. It represents a combination of several different 'calvaires' from various locations. Gauguin lived for a time in Brittany, a peninsula of northwestern France.

Like many of Gaugin's works, the subject stands out from the backgrounds, which he decorates with more lively colors. Green is sprinkled throughout. Even the other figures are green, and the woman's face has a green tint as if she is an ogress (from the movie Shrek!).

The black lamb she's holding in the bottom right corner is balanced by the dark water in the distance.

Our National Gallery of Art in DC

Majorcan Fisherman (1908), Sargent

John Singer Sargent in Spain

Recently, my daughter attended a professional conference in Washington D.C. and took the opportunity to visit several museums. She shared her photos of famous works on exhibit at the National Gallery of Art. Curiously enough, there were two exhibits of one of our mutual favorite artists, John Singer Sargent, while on one of his seven trips to Spain (1879-1912) to study Velázquez. His painting of a Majorcan Fisherman is particularly captivating and unlike many of his other portraits, usually of women, and typically with a darker color palette. It reminds me of Renoir's Luncheon of the Boating Party (1888) with its canopy and view through to the water in the background. I love the shadows and the sharp contrast of the dominant orange tones with the striking blue of the water.

Newly Discovered Art & Artists

Blue Morning (1909), George Bellows

Another American artist, George Wesley Bellows (1882-1925), painted a similarly framed landscape looking out over water. He is famous for painting urban life in New York City. His Blue Morning scene is reminiscent of Edvard Munch's sad depictions of mine workers returning home in the snow. Here, the column, fence, and shadows frame a silhouetted portrait on a foggy morning. The 'blue' may represent either the color of the water or the sadness of the workers. This is the last of four paintings Bellows made from 1907-1909.

Street of Barns (1914), Feininger

German American painter, caricaturist, and comic strip artist, Lyonel Feininger grew up in New York City. He was a proponent of Expressionism, painting buildings, street scenes, and barns. His figures are elongated much like those painted by fellow German Expressionist, Ernst Ludwig Kirchner. At first blush, I thought this painting was one of the works by Cubist George Braque. I guess I need to practice guessing artists using Artle - the daily art exploration game created by the National Gallery of Art (it's free!).

Still Life (1918), Picasso

Peonies (1901), Picasso

Speaking of Cubists and other Expressionists, The National Gallery of Art was also showing several works by Pablo Picasso. Besides his recognizable Harlequin Musician and The Lovers, also on exhibit were Still Life and Peonies. I hadn't realized that Picasso painted these flowers. Normally, Manet and Monet are the artists whom I associate with them.

Impressionists

Children Playing on the Beach
(1884), Mary Cassatt

Many of the French Impressionists' works are also on display at the National Gallery of Art in Washington D.C. My daughter took photos of the works of Mary Cassatt, Édouard Manet, Henri Matisse, Claude Monet, Camille Pissarro, Georges Seurat, and Pierre Auguste Renoir. I love the innocence of Cassatt's Children Playing on the Beach (1884). Her portraits are some of my favorites -- they are timeless.

The Railway (1873), Manet

Édouard Manet preferred painting portraits, and I'd call him a French Realist. Here in The Railway we see a portrait of a mother and child waiting at the train station. I am distracted by the bars of the iron gate as well as the stitching in the mother's coat. Perhaps the daughter is dressed up to receive her father from the train. Did you notice the puppy cuddling in the woman's lap?

Still Life with Pineapple (1924), Matisse

Fauvist Henri Matisse is responsible for many colorful still lifes, and I especially like this one with a pineapple. We were lucky enough to visit his museum while in Nice, France in 2011. Like contemporary artist, Kehinde Wiley, Matisse backgrounds are always very interesting.

Woman with a Parasol - Madame
Monet and Her Son (1875), Monet

The Artist's Garden at
Vétheuil (1881), Monet

Like Manet, Claude Monet used members of his own family as his subjects. We also visited his garden at Giverny in 2011. Quite impressive!

Landscape, Ile-de-France (1873), Pissarro

My daughter knows how much I appreciate the works of Camille Pissarro, His works transcend all of the various Impressionist movements, although he is often referred to as a Neo-Impressionist. His version of Monet's haystacks is equally impressive.

Seurat Retrospective, Georges Seurat

The exhibition also featured a sort of retrospective wall showing the work of French Post-Impressionist and Pointillist, Georges Seurat. Of course, A Sunday Afternoon on the Island of La Grande Jatte (1884-86) is probably his best-known Pointillist works, made famous by the play starring Mandy Patinkin.

A Girl with a Watering Can (1876),
Pierre Auguste Renoir

It's always fun to find familiar artwork at the museum you're visiting. Here's probably the most famous Renoir, A Girl with a Watering Can (1876). I seem to focus on the girl's upper half with the red bow and the blue and white dress, but I never really noticed the watering can. And I consider myself very observant!

More 20th Century Artists

Ground Swell (1939), Edward Hopper

So, luckily my daughter took photos of four more of my favorites, who are more modern and contemporary than those of the French painters you usually spot at art museums. These artists are Edward Hopper, Wassily Kandinsky, Joan Miró, and Lee Krasner (wife of Jackson Pollock).

I love Hopper's clean and confident style. His paintings have no frills, little shading, and calming areas of color that capture a moment and illicit relaxation for the viewer. 

Head of a Catalan Peasant
(1934), Joan Miró

Improvisation 31 (Sea Battle)
(1913), Kandinsky

I love Abstract Expressionism and the playful compositions of Kandinsky and Miró. Whether I am teaching kids or seniors to make colorful Kandinsky concentric circles or cutting out shapes to make Miró balanced compositions, it is always fun to find new masterpieces to share with them as examples for our projects.

Cobalt Night (1962), Krasner

It's surprising how many of Jackson Pollock's work I've seen at various art museums. Like Kandinsky, his compositions are usually numbered and mention the dominant color used in the painting. While vacationing in Palm Springs, I saw the exhibit of the 12 Women of Abstract Expressionism, including some works by Lee Krasner.

I hope you enjoyed this post about some of the 'most important' works currently on display at the National Gallery of Art in D.C. While in St. Petersburg, Russia in June 2019, our tour guide only showed us the 'most important' artwork because of the vast number of pieces at the Hermitage Museum. While I certainly appreciate seeing those, I still enjoy stumbling upon those diamonds in the rough, lesser known or seldom seen works, and even those by artists I've only recently discovered. This is how we learn and grow in our ability to appreciate visual art!