Artworks With Green

 

The Park (1910), Klimt

My first pic is a good transition from my last 'interview' post about the style of Robert Milaschewski, though meant to be posted for St. Patrick's Day. Here we see what could be described as a landscape, although dominated by tree crowns, with only a hint of tree trunks at the bottom. Instead, Gustav Klimt has used primarily a mosaic of green dots forming an abstract composition. It comes on the heels of the late nineteenth century movement, called Pointillism, which was developed by French artists, Georges Seurat and Paul Signac.

Green Wheat Fields, Auvers (1890),
Van Gogh

Here is a closeup taken from (the lower left corner of) Van Gogh's Green Wheat Fields, Auvers (1890), which was painted during the last months of the artist's life. When viewed without the upper half containing the sky and clouds, his green and white brushstrokes become abstracted, much like the dots in Klimt's leaves.

The Green Wave (1866-67), Monet

Unlike other happier Impressionist paintings (from his gardens), Monet's The Green Wave (1866-67) is painted in monochromatic teal green and black. Boats and the seaside were common themes for Monet, though usually calmer depictions of couples enjoying a leisurely outing. I would not have guessed this was his work!

Green Still Life (1914), Picasso

Although the green in Picasso's Green Still Life (1914) encompasses the entire background, it fits the theme of my post. I enjoy the patterned shapes on the wall and tabletop, giving life to the flat green shapes above which the objects would be floating without the black lines and suggested picture frame.

The Allure (1939), O'Keeffe

I was intending to show Georgia O'Keefe's Green Tree (1953), but it was almost too light for this category of green artwork. Then I found The Allure (1939), which is also known as Waterfall, No. I, Iao Valley, Maui. Her paintings of the Hawaiian landscape are reminiscent of her closeup paintings of flowers. The layers of the lush green mountains seem to be opening up to reveal the thin waterfall, as though it's the stamen of a flower.

The Green Dancer (1879),
Degas

Degas' The Green Dancer (1879) is complemented by the bright-orange clad dancers in the background. This isn't quite the green I was looking to highlight, though there's enough of the hue to warrant both the title of the painting and my subject. Degas does like to use diagonal lines in his composition and arrangement of the dancers' limbs. He has intentionally left the floor unadorned and in shadow.

The Green Christ (1889), Gauguin

The last painting, The Green Christ (1889), is by Paul Gauguin. It depicts a Brenton woman seated beneath a green-tinted statue of Christ's crucifixion. It represents a combination of several different 'calvaires' from various locations. Gauguin lived for a time in Brittany, a peninsula of northwestern France.

Like many of Gaugin's works, the subject stands out from the backgrounds, which he decorates with more lively colors. Green is sprinkled throughout. Even the other figures are green, and the woman's face has a green tint as if she is an ogress (from the movie Shrek!).

The black lamb she's holding in the bottom right corner is balanced by the dark water in the distance.

Artists' Portraits & Self-Portraits

Berthe Morisot with a bouquet
of violets (1872), Manet

Self-Portrait (1885),
Morisot

French painter, Berthe Morisot was a young subject of Édouard Manet, here dressed in all black. Years later, Morisot painted this rather impressionistic self-portrait using more muted colors and perhaps showing her age.

Which portrait do you like better?

Self-Portrait with palette
(1878-9), Manet

Manet himself then painted himself holding a palette and paint brush, again using dark colors. Does it seem odd that he is dressed formally and with a black fedora, tie, and jacket?

Self-Portrait with a Beret
(1886), Monet

Claude Monet sported a beret in this early self-portrait. It surprises me how only a bit of blue accompanies a rather boring color palette for Monet's portrait. Note how as a much younger man Monet can paint with full focus and precision, as opposed to later in life when his eyesight began to fade.

Self-Portrait (1888), Gauguin

Paul Gauguin also painted several self-portraits. Here is the self-portrait that Van Gogh challenged him to paint, along with his painting of mutual friend, Émile Bernard (in the background). The reference to Les Misérables refers to Gauguin's insistence that his life was like that of the book's hero, Jean Valjean. The Post-Impressionist livened up his portrait with a yellow floral background in homage to its recipient, his friend Vincent.

Self-Portrait with palette (1890),
Cezanne

Paul Cezanne did his share of self-portraits, including this one 'with palette'. What I enjoy about this is how Cezanne, who has been identified as a Post-Impressionist, makes use of multiple colors in his palette, face and neck, and even as decoration (and balance) on the reverse side of the canvas he's painting.

So much livelier and more engaging than Manet's rather monochromatic composition in brown and black! 

Self-Portrait #1 (1894), Beaux

I actually prefer this realistic self-portrait by Cecilia Beaux to Morisot's impressionistic portrait. I enjoy the use of earthtones and the treatment of lights and darks, highlighting her face. While the golden-brown background is what one might see in a professional photograph, she has created offsetting visual interest with the striped pattern of her dress.

Somehow, I prefer the character of older self-portraits of Renoir to those of the younger man. Here, his palette is less colorful than a typical Renoir, though the facial highlights seem to be channeling Rembrandt. I like Renoir's choice of warmer tones for the face and background. I especially like his pork-pie style hat! No fedora or palette in this one though!!

After visiting a Travel and Adventure Expo in Seattle this month, I became interested in Kenya. Besides the attraction of a safari for viewing animals in the wild, I think a visit to Kenya would provide a window into the culture (and art) of Kikuyu, the Bantu people native to Central Kenya.

Kikuyu Man (1908-10),
Gallen-Kallela

This portrait of a Kenyan man is by Akseli Gallen-Kallela and was painted early in the 20th century. Here, the subject is dark with a golden yellow background, as if the sun is shining on the back of the figure. The foliage and subtle brushstrokes give the impression of a somewhat barren grassy field.

I show this portrait because it shows art at the tail end of the time period of the other portraits of the late 19th century. Though not a self-portrait, the artist has captured the personality of his subject without forcing a formal pose.

Self-Portrait (1943), le Doux

I include this self-portrait by Charles Picart le Doux in comparison the that of Édouard Manet. Like Manet, le Doux painted self-portraits, portraits of family and friends, still lifes, landscapes, and even murals. His work also reminds me of Impressionists Paul Cezanne and Paul Gauguin (above), obviously with a more limited palette!

With a simple diagonal line, he suggests that he's working on a canvas.

Please note that I purposely excluded the artists who are more well-known for painting self-portraits -- specifically Rembrandt, Van Gogh, and Frida Kahlo.

Still Life with Puppies, etc.

Still Life with Three Puppies
(1888), Gauguin

This post is inspired by one of Paul Gauguin's lesser-known paintings, entitled "Still Life with Three Puppies". It caused me to research the topic of obscure, maybe out of character works by famous artists. While Gauguin is famous for painting native Tahitian woman, I found it very strange that he would consider painting, of all subjects, puppies. Upon further study, it's true that Gauguin often included horses and dogs in his landscapes. You may also find an occasional cat or bird.

Apparently, the artist was influenced by the Japanese prints that Van Gogh brought to him, along with children's book illustrations. The puppies must have been just born, as they are disproportioned to the goblets and fruit arranged on the tabletop. I love the pattern captured in the tablecloth! The dark blue outlines mimic its botanical print, with the shapes repeated on the dogs' coats.

Woman Walking in a Garden (1887), Van Gogh

Vincent Van Gogh also had a few paintings in which he departed from his usual style of expressive brushstrokes, making him seem calmer and his palette more monochromatic. The sunny yellow skirt is surely reminiscent of Vincent!

Still Life with Apples, Pears, Lemons and Grapes
(1887), Van Gogh

His Still Life with Apples, Pears, Lemons and Grapes is also an interesting choice of subject for Vincent, as with his friend, Gauguin's experiment with Still Life. Only the background has his characteristic mesmerizing, swirling brushstrokes. I am amazed that I can still find these gems, after studying my favorite artist for so many years!

Sunflowers (1887), Van Gogh

One of Van Gogh's most prolific subjects was sunflowers. In more than a dozen of his paintings, the sunflowers are arranged in vases on tabletops. Other than his paintings of crabs, I hadn't recalled this version of (dead) flowers. I like that he chose a blue background color and less-vibrant yellow for the subject!

Other researchers of this topic put Edvard Munch's The Scream, Andy Warhol's Campbell's Soup Cans, and Marcel Duchamp's Fountain into this category, but I don't agree. These are still classics and immediately recognizable to everyone who see them.

The Table (1920), Miró 

As you know, Joan Miró is another of my favorite artists. His The Table shows a still life primarily in yellow and black, with a very graphic array of geometric shapes. This is a certain departure from his minimalistic grouping of symbols in black and the three primary colors. Like The Farm (1921), this is a very busy composition!

Still Life with Old Shoe (1937), Miró 

Then there's Miró's Still Life with Old Shoe. I absolutely love this non-traditional 'still life'! It's like he airbrushed the colors. Again, I don't know why I hadn't ever seen this painting before! He even added green to the mix of colors!! It reminds me of the charcuterie board my daughter made for Thanksgiving, along with the pumpkin made of puff pastry-covered brie cheese (foreground lower left?).

Oysters (1862), Manet

The final three examples may be described as still life's though they include a solitary subject, rather than being composed of various unlike items. I'll begin with Édouard Manet's Oysters. His composition also included a plate, a fork, a halved lemon, and a dipping sauce. The dark table and charcoal grey background make the objects appear to float.

Still Life with Golden Breams (1812), de Goya

Also, a still life composed primarily of a pile of dying fish, here is Francisco de Goya's Still Life with Golden Bream. Some have said that it "emblematic of the human bloodshed brought on by Spain's war with France". I'm not sure what possessed de Goya to paint such a thing! I'm reminded of Andrew Wyeth's study of a dead squirrel, in which he smears blood on his painting.

Mound of Butter (1885), Vollon

Finally, I am including this Mound of Butter! A painting by Antoine Vollon, it is simply a knife stuck in some butter on a platter, on a table with two eggs. Maybe this image sparked Steven Spielberg to use Devil's Tower as the image that haunted Richard Dreyfuss' character in Close Encounters of the Third Kind (1977)!

Praising Budding Artists for Their Work

Words of encouragement go a long way to inspiring young artists. “Creativity is so delicate a flower that praise tends to make it bloom, while discouragement often nips it in the bud. Any of us will put out more and better ideas if our efforts are appreciated.” - Alexander Osborn

For example, "I love the way you...", or "Your style amazes me." is a great starting point. Get people talking about their art and have them practice talking about the work of other artists. "What do you like about it?" "Why did you choose this color combination?" Use art vocabulary, explaining how their choice of complementary or contrasting colors added interest. Besides praising an artist for their own unique style, it might be helpful to compare their work to that of other more famous artists. It also helps to take a picture of your art on your phone. Seeing a photo can change one's point of view away from the canvas you've been staring at for an hour and a half, and that which you've become overly critical.

Making connections with other artists and even the subject matter -- "Your brushstrokes remind me of Van Gogh" or "That reminds me of MY dog" -- are inspiring comments for an artist to hear. Their work is being thoughtfully acknowledged for its content, execution, style, or the feelings it invokes in the viewer.

Two Crabs (1889), Vincent Van Gogh

My family, friends, and colleagues encourage me to do more art. Museums are always stimulating, especially when I discover another Van Gogh painting or see a Rembrandt in person! Flemish artist, Peter Paul Rubens was heavily influenced both artists. Van Gogh was also influenced by his friend, Paul Gauguin, who encouraged him to paint from his imagination, French realist Jean-François Millet, other Impressionists, and Japanese art. Van Gogh painted Two Crabs in 1889 as an experiment in complementary colors inspired by the color theory of Eugène Delacroix.

In May of 2017, I saw it hanging in The National Gallery in London's Trafalgar Square.

Emily's Chicken

I wonder if PawsWithCause resident artist, Emily, was inspired by Van Gogh's crabs. Here is her portrait of a chicken in a very similar contrasting color scheme. Amazing! And I love the brushstrokes!!

An art docent needs to understand and become familiar with the elements and principles of visual art.

As time is often limited to an hour and a half, it is important to monitor the progress of the artist's portrait. They need to decide where to start, then begin to lay down paint. If they have a favorite color and are unfamiliar with brushes and the medium, you may suggest starting with the background. Help the novices mix their color in the large space in the center of the palette, making enough to cover the surrounding area. Often, with Seniors especially, the background is left blank. If the body of the subject animal is grey, that too may require mixing lots of that color in the middle of the palette.

One of our seniors spent most of her time outlining the features of her white cat and chose to limit her palette. She simply used black paint to suggest texture on the cat's coat. She carried on and used black for the front paws in shadow. The cat's tail saw the beginnings of Pointillism that had time permitted would have been an awesome technique to finish with. Because there was no paint applied to the background it made for a harmonious somewhat linear composition.

White Angora Cat (1761), Bachelier

Another favorite of mine is this portrait of a white angora cat beautifully (oil) painted by French artist, Jean-Jacques Bachelier. Here we see a cat chasing a butterfly. The cat's fur is well-executed. Though I wouldn't want to have to brush that coat!

All one-color animals, such as white or black cats, or white, brown, or black dogs, are particularly challenging to paint. It may take time to execute the subtle shading (primarily shades of grey). As an art docent I'd recommend doing small areas at a time while the paint is still wet; this is when blending is most successful. Maybe work on the head, then body and legs. Highlights may be added later, as with the back and tail in Bachelier's painting.

Two Cats Blue and Yellow
(1912), Franz Marc

Cats on a Red Cloth (1909),
Franz Marc

20th century German Expressionist Franz Marc captured some cats sleeping or grooming themselves. The first painting is more realistic than his second more expressive Cubist work. Can you find the mouse?

18th century English artist Thomas Gainsborough also studied feline positions of the Great Cat. According to the referenced link, his black-and-white chalk drawing is similar to that of another famous artist from the 15th century.

Apparently, I missed Paul Gauguin's Flowers and Cats (1899) while visiting the Ny Carlsberg Glyptotek museum in Copenhagen, Denmark on our cruise to the Baltics in June 2019.

Another recent post, entitled Making Connections with Artists & Animals features the cats of French Fauvist Henri Matisse.

Many of the world's most famous artists kept cats as pets. Here's a list:

Henri Matisse (Minouche, Coussi, and Le Puce); Pierre Bonnard (Cat);

Salvador Dali (Babou); Gustav Klimt (Katze); Georgia O’Keeffe (Siamese); 

Pablo Picasso (Minou); Louis Wain (Peter); Andy Warhol (Sam); and

        Wassily Kandinsky (Vaske)

We lost American artist Laurel Burch in 2007. She was famous for her bold cat designs such as those featured in one of her books, Fantastic Felines (1997). I believe we've done a jigsaw puzzle like this.

by Bill

Many of the artists who paint the shelter animal portraits are seniors who hang out at senior centers or assisted living establishments. One such artist is Bill, whose work is reminiscent of German Expressionist, Max Beckmann. See my post entitled, 'Egyptian Art, Sculpture, and Tombs'.

Another PawsWithCause patron painted this portrait of Cai with a light green tennis ball in its mouth. The artist's style is also like Beckmann, but with more of a Surrealist vibe. The background continues with the lime green color, adding little wispy shapes much like Henri Matisse decorated his red wallpaper in his Fauvist works. The touches of blue add interest to the composition.

You may also appreciate Medford the dog, who is sporting a Dio de Los Muertos mask on his face, reminiscent of the art of Frida Kahlo or Diego Rivera. Spanish Catalan painter Joan Miró often used a black background and Whimsical shapes (like spirals) to create his abstract art with Surrealist fantasy. Notice how the brushstrokes in his blonde fur add a realism that adds an anthropomorphic touch as if the animal is celebrating a human holiday. See Pepe the Dog in my post entitled, Making Connections with Artists & Animals.

Marlee is a good example of Realism. I especially like the artist's use of small, jagged brushstrokes, lending texture to the dog's coat. Happy accidents, like allowing the marker outline (from the original sketch) to show through, accentuate subtle features. I love the impressionistic background which further softens the overall painting. Check out the eyes with different color irises!

This portrait of Emma shows a good example of well-executed shading. The blue-gray color that the artist chose is a beautiful complement to her orangish-brown coat. Her sad eyes and overall color scheme make me think of the melancholy paintings (like "The Scream") of Norwegian Expressionist, Edvard Munch.

Many of our painting sessions, as with many of the art classes I've taught, are often too short for seniors or even younger students to complete a portrait in the allotted time. Although not common for established painters and master artists, some works are intentionally unfinished.

Gilbert Stuart created the Athenaeum Portrait of George Washington that currently hangs in the Smithsonian's National Portrait Gallery. The unfinished work was used to paint 130 copies sold for $100 each and for the engraving of GW on the US $1 bill.

The only other unfinished painting I've ever seen is “An Allegory of Virtue”, attributed to Corregio (~1489-1534), which hangs in the Scottish National Gallery in Edinburgh. 

Inspirations in Visual Art

What if a light bulb and a soft-serve
ice cream cone had a baby?
You'd get a CFL
(Compact Fluorescent Lamp)
[From the JoyReactor Website]

I'm always looking for inspiration for art projects, lesson plans, and especially what to blog about. Now that I have 136 posts, it is becoming increasingly more challenging to come up with ideas. I had hoped that my readers would comment, asking me to include topics of interest to them. After posting seven Baltics posts of June 2019, I received a request from one of my most avid readers for another in-depth series which resulted in six Art of the Pacific Northwest posts of July 2020.  I continued with Artist Interviews in September of 2020. That suggestion came from a website listing art blog ideas.

Smudgy the Cat from
PawsWithCause

Of late, my inspiration comes from baseball, shelter animals, teaching art to multiple age groups, art museums, and travel. When I visit new cities, I keep an eye out for local art such as sculptures and murals. Movies and other media also provide interest when I see art displayed in scenery, actors playing famous artists, or stolen artwork in the newspaper. It's fun to include Art in the News as part of my monthly elementary school lessons.

Vase of Peonies on a
Small Pedestal (1864),
Édouard Manet

Following the art docent model of the Interurban Center for the Arts, I always include an inspirational work by a famous artist from which to pull an art concept, element, or principle of art. For example, I would use Jackson Pollock for a lesson about LINE. And for Positive-Negative Space I will always turn to Édouard Manet.

Two Crabs (1889), Vincent Van Gogh

My family, friends, and colleagues encourage me to do more art. Museums are always stimulating, especially when I discover another Van Gogh painting or see a Rembrandt in person! Flemish artist, Peter Paul Rubens heavily influenced both artists. Van Gogh was also influenced by his friend, Paul Gauguin, who encouraged him to paint from his imagination, French realist Jean-François Millet, other Impressionists, and Japanese art. Van Gogh painted Two Crabs in 1889 as an experiment in complementary colors inspired by the color theory of Eugène Delacroix.

In May of 2017, I saw it hanging in The National Gallery in London's Trafalgar Square.

Emily's Chicken

I wonder if PawsWithCause resident artist, Emily, was inspired by Van Gogh's crabs. Here is her portrait of a chicken in a very similar contrasting color scheme. Amazing! And I love the brushstrokes!!

My Charcuterie Board (2022)

Taking art classes and exploring new mediums and techniques instigates new hobbies and adds to your toolbox. I especially enjoyed learning the art of wood burning when my daughter and I took a class to decorate charcuterie boards. The recent COVID pandemic prompted me to engage in teaching online classes with Heart Art Healing and their Circle of Love. I've also been moved by family members requesting me to teach art to homeschoolers. And while looking for classroom spaces to teach such groups I was asked to teach art at a city-sponsored Summer camp.

Judy's Family Portrait Collage (2019)

I think the students that inspire me the most are other seniors. While I am amazed at the existing talent of senior citizens, I am happy to see the less confident ones discover talent they weren't aware they had. This is why I teach at Franke Tobey Jones Senior University in Tacoma. It's almost always the same group of 12-15 artists, some who are painters, a quilter, and several novices, all of whom bring their enthusiasm to my classes. My Collage Portraits with Seniors class was particularly successful!

PushMePullYou from Dr. Dolittle (1967)

Inspiration is different than motivation. Some say that inspiration is a 'pull' while motivation is a 'push'. Inspiration is typically an internal, mental or emotional influence to do something creative. Motivation is more of a process of external stimulation with definite actions designed to achieve a goal. For example, weight loss could be a goal motivated or prescribed by a doctor to make a person healthier. The inspiration could be imagining yourself in a bathing suit or noticing the successful weight loss journey of another person. It may inspire you to think of creative ways to cook meals and make healthier choices.

My own motivation to do art is to inspire others to do it. My goal is to write in my blog every two weeks, to keep it interesting, and to get comments as a way of improving it or gauging its success. My hope is that my writing inspires others to be more creative, recognize and appreciate creativity in themselves and others, and feel good looking at, doing, or talking about art.

So, what inspires you? Creativity comes from the inside although it is often sparked by an outside stimulus.

Observation gives us the opportunity to realize and gain creative insight. Hopefully, this blog will inspire you to put forth the effort and provide you with the means, energy and enthusiasm needed to dedicate yourself to reaping your own artistic rewards.