2025 Pumpkins, Etc.

M's Logo 2025

M's Trident 2025

This year's pumpkin carving party with the family was cancelled due to a power outage. Prior to that, I carved a 2-sided jack-o-lantern supporting our Seattle Mariners in the ALCS playoffs. One side displayed the upward pointing trident symbol, while the other side showed the Mariners compass logo. And, no, it's not a pitchfork!

2025 Frankie

On Halloween eve, I carved two more scarier pumpkins -- one of a disturbing-looking Count Dracula and another of a friendly-looking Frankenstein. 'Frankie' was a traditional carving, although I got creative with the lid in order to emulate his flat-top head and hairline. The simple design itself was copied from a pumpkin I saw online.

2021 Frankie

It's a lot different than my 2021 version which I imagined from a photo of Boris Karloff's character. it's funny how just a few well-placed wavy lines can generate a recognizable image. Creepy!

2025 Dracula

Dracula was painted in using a black Sharpie, as I've done for the past two years. For the shadow on the left of his face I peeled off some of the skin to accent his face. I was going to insert some red beads for the eyes, but alas my supplies cupboard was bare; at least I was unable to find the craft beads!

2024 Vampire Barbie

Last year I tried to carve Barbie, which was inspired by the release of the movie. Unfortunately, she wound up looking more like Mediterranean Barbie or even Vampire Barbie.

T-Rex Design

I fully intended to carve another two pumpkins, but honestly, I lost interest. It was disappointing not to have family over to see what they would make. Earlier this year, we went to see Jurassic Parking Lot, a University District play that spoofed the original movie, starring Jeff Goldbloom. The silhouette of the classic T-Rex dinosaur would not have left much structure, and especially as the pumpkin would begin to rot. I suppose I could have peeled the skin for the background!

Raven 2020

It's a similar situation with the raven I carved in 2020. It looked great initially, but the thin pieces of unsupported pumpkin soon began to rot. To keep the bird's beak from pulling away from the moon, you can support it by adding hidden toothpicks.

2022 Wookie

Chewy Design

My 2022 Star Wars Wookie wasn't bad, but not nearly as recognizable as the one I almost carved this year. At this point, I didn't peel the skin of the pumpkin to different depths to achieve a range of values (like the Cheshire Cat below). Lots of cutting!

2024 Snake Beetlejuice

Beetlejuice 2024

Every year I look for inspiration from current pop culture. Besides Jurassic Park, I've been inspired by Beetlejuice, Harry Potter, Alice in Wonderland, and various Star Wars characters from movies and TV series.

2022 Harry at Night

2022 Daytime Harry

2022 Cheshire Cat

2022 Grogu (Baby Yoda)

2022 Mandalorian

                             

2023 Ahsoka Tano

2024 Darth Vader

                            

Ahsoka Tano incorporated many techniques, including peeling of the skin and embellishing with black Sharpies. Her tiara is actually a cutout piece that was reinserted (tilted outward) to give a 3D effect. One of my most challenging carves and maybe my most effective!!

Famous Portraits of Children

The Age of Innocence (1788),
Reynolds

Now that I've been blogging for over six years, many of my favorite artworks have appeared in multiple posts. I apologize if you've already read about these common subjects. My love of portraits began with Rembrandt, who famously painted 75 self-portraits. As I became an art docent in my daughter's elementary school classrooms, I was exposed to many more talented portraitists, including Sir Joshua Reynolds, Principal Painter to the King. This painting may be of the artist's great niece. It was featured in my November 2022 post entitled, Famous Artists & Paintings -- By Century.

Lady Caroline Howard (1778),
Reynolds

Ten years earlier, Reynolds painted the portrait of Lady Caroline Howard, which was used early on in the art docent program in which I taught. See Artists With July Birthdays. The background and position of the subject figures are very similar, although you can easily see their stations and style of dress are quite different.

National Gallery, London

In Portrait Artists, my post from March 2020, I included a sweet portrait by John Singer Sargent. Although I'm a huge fan of the Impressionists, always gravitating to Van Gogh in particular, Sargent is my favorite portrait artist. Like Rembrandt, I am pleasantly surprised when I encounter one of Sargent's works at an art museum. 

A Girl with a Watering Can
(1876), Renoir

In Pierre Auguste Renoir's painting of A Girl with a Watering Can, the subject green watering can seems to get lost among the foliage and the dark blue of the girl's dress. If it wasn't for the lace trim on the dress it might be invisible. He has divided the composition in half, with the green grass in the background and the light dirt path in the foreground, balancing the girl's face color.

Young Girl with Doll (1884), Morisot

Much creepier is this portrait by Berthe Morisot. The black dress and the unusual and complicated background make it even more so. I am confused by the background. It feels like the girl is outside in a garden, but then the 'window' in the top right corner seems to depict a distant scene. Considering the upholstered chair, now that far off lighter area could be a bed. The large pot is also a distraction for me.

Little Girl in a Blue Armchair (1878), Cassatt

Perhaps the best known painter of children (and mothers) is Mary Cassatt. While I appreciate the cyan blue color of the fabric in the four chairs, I am less pleased with the clothing and pose of the young child. She seems to be relaxing, focusing on the dog resting nearby, and (maybe) waiting to be dressed. Apparently, Edgar Degas helped Cassatt rework this and ten other entries for her debut exhibition in 1879.

Mother and Child (1914),
Cassatt

My favorite is this pastel painting with its soft coloring and subtle blue shading. I like the child's little pink feet emerging from the mother's supporting left arm. The background is comprised of many colors, reminding me of one you'd see in a photographer's studio.

The Railway (1873), Manet

Édouard Manet's painting of a well-dressed child waiting for a train features his favorite model, Victorine Meurent. You may recognize her from his famous Luncheon on the Grass, although here she is clothed in a rather drab blue suit and matching hat. The model may not actually be related to the child. She may be portraying a nanny, who curiously is also caring for the girl's puppy.

Buttercups and Daisies (1881),
Hugh Cameron

I much prefer the portrayal of youths in the 19th century to those depicted as miniature adults in the earlier 18th century. Although this subject is shown without adult figures, she is realistically proportioned. Perhaps being related to the subject allows Cameron to capture the sweet personality of the little red-haired girl.

Women of Abstract Expressionism

Untitled (1951), Frankenthaler

In February of 2017, the Palm Springs Art Museum (PSAM) held the "Women of Abstract Expressionism" (WoAE) exhibit. While still volunteering at the Seattle Art Museum (SAM), I created a MS PowerPoint presentation to give to my then committee of department volunteer chairs. I've blogged about several of the dozen artists in past posts, but not the entire group.

This untitled work by Helen Frankenthaler is reminiscent of a work by Spanish Surrealist, Joan Miró. I'm thinking of his Harlequin's Carnival (1925).

The Palm Springs area is rich in art, including multiple locations/venues​ (e.g. Palm  Desert), and events (e.g. Desert X)​. In 2017, Palm Desert was showcasing “Glass of the New Millennium”​ at Kaplan/Ostergard Glass Center​. Other attractions included: The Galen and the Faye Sarkowsky Sculpture Garden​; and Desert X – International Art Biennial in the Coachella Valley​. Lots of artsy things to do and see!

PSAM contains a mezzanine level overlooking a large atrium​. There is a wide variety of art on display, including a Chihuly in “Contemporary Glass”​.

The WoAE originated at Denver Art Museum, exhibited June – Sept 2016, and then on to the Mint Museum in Charlotte, North Carolina.​ It celebrates the “Divine 12”, often unknown or unrecognized female artists of the mid twentieth century. Many of these women were still alive when we visited.

Mountains and Sea (1952), Frankenthaler

Helen Frankenthaler (1928-2011) is famous for Color Field paintings and Lyrical Abstraction. I appreciate her pastel compositions the most, as opposed to some of her larger, more monochromatic (red) works. See Palm Springs 2020. Here, I see a portrait of a woman in a fancy hat! This is reminiscent of Kandinsky's (1913) Improvisation 31 (Sea Battle). See my post entitled, Our National Gallery of Art in DC. See also, Palm Springs Art -- Marilyn Monroe & Museum Exhibitions.

JFK (1963)

Elaine de Kooning (1918-89), wife of Willem de Kooning, is probably most famous for her figurative expressionism, and specifically her portrait of President John F. Kennedy. I included the portrait in My Art Journey.

The Eye is the First Circle (1960), Krasner

Lee Krasner (1908-84), wife of Jackson Pollock, was famous in her own right. Expressing her grief at the loss of her husband and mother in 1959, Krasner painted The Eye is the First Circle in 1960. Its title is a quote from Ralph Waldo Emerson's Circles, an essay about spiritual growth.

Inclement Weather (1970), Hartigan

Grace Haritgan (1922-2008) used vibrant colors and sometimes representational elements in her abstract compositions. It is currently on display at  the Smithsonian American Art Museum, Washington, D.C.

Antigone I (1958), Schwabacher

Ethel Schwabacher (1903-84) expressed anxiety and loss in her paintings following the death of her husband, Wolf in 1951. Wolf was a Jewish entertainment lawyer with clients such as the Marx Brothers. Studying under artist Arshile Gorky from 1934-36, she wrote his biography.

All Green (1954), Abbott

Mary Abbott's (1921-2019) work was inspired by nature and the jungles of the Caribbean. She was a descendant of President John Adams, a debutant and model in her youth, and a student of artist Mark Rothko. Although not representative of a jungle per-se, she's expressing how she feels by using the colors of the foliage and the sea.

Incision (1958-61), DeFeo

Jay DeFeo's (1929-89) Incision was both large and impressive when viewed in person at PSAM. Although it is largely shades of gray, the use of thickly applied oil paint and string seem to drip off the canvas. 

The Wave, Roaring, Breaking (1959), Fine

Russia-born artist, Perle Fine (1905-88) was a protégé of Dutch artist, Piet Mondrian and a student of Hans Hofmann. She used hard-edged pure abstraction as her trademark method. This is yet another example of oil and collage. Bristling (1946) uses oil and sand, and shows the influence of Mondrian.

The Beginning (1960), Gechtoff

Ukrainian-American artist, Sonia Gechtoff (1926-2018) was inspired by Giotto’s Arena Chapel in Padua, Italy where she spent time viewing frescos of the early Renaissance artist. It is intended to be a Genesis story and heavily influenced by Giotto.

Harlem (1981), Godwin

Lyrical abstract expressionist, Judith Godwin's (1930-2021) work has been displayed in over thirty-five art galleries. It's characterized by large organic shapes and sweeping brushstrokes. She was also a student of Hans Hofmann, who became her mentor.

Exodus (1960), Remington

Finally, Deborah Remington (1930-2010) also used hard-edged abstraction in her early works, then transformed into a machine-age abstraction, reflecting machines and industrial design during the era between the World Wars. Her work typically includes red and blue lines with black in the background.

Many of these expressionists were inspired by writers and poets whose works themselves are subject to interpretation.

Boats in Art History

Breezing Up (A Fair Wind) (1873-76), Homer

September marks the end of Summer, boating season, near end of major league baseball, the start of Fall and the school year. Sailing and sailboats have always fascinated me, though not enough to purchase one. Instead, I'll stick to rowboats and canoes, fishing on lakes rather than the open seas. My first, and probably my favorite, sailing painting is by Winslow Homer, an artist whom I studied in Art History in college. The man and three boys makes me nostalgic for my dad and two brothers.

Impression Sunrise (1872), Monet

Around the same time, French Impressionist Claude Monet painted his iconic Impression Sunrise. Blues dominate this seascape with contrasting orange punctuating an amazing sunrise. The only other colors are dark green and purple suggesting the silhouetted shapes of small watercraft against a background of larger ships.

Boating (1874), Manet

Édouard Manet's Boating captures a young couple sailing in the Summer. The man is Manet's brother-in-law, Rodolphe Leenhoff, and it is only assumed that the woman is Manet's wife, Camille. While the boom is meant to frame the scene, I am bothered by the corner and the dark-shadowed interior behind the woman's back. And her pose seems unsteady, awkwardly leaning into an empty space. Luckily, Leenhoff's white clothing takes contrasting focus away from the darker parts of the boat.

The Boating Party (1893/94), Cassatt

In contrast to the Manet painting (above), Mary Cassatt's portrait (with child) is darker, but includes a thin sliver of horizon not present in Manet's. Cassatt has rendered a Gauguin-like ~post-impressionist work using solid, decorative, almost geometric shapes that flatten the picture. The rigging of the sail cuts off the shadowed portion of the female figures. The sail and the woman's hat shade the woman's face and the top half of the child's face. Cassatt has used a light green (citron) and black to divide the scene from the expanse of blue water, helped by the diagonal lines of the rigging and oar.

Fishing Boats on the Beach (1888), Van Gogh

I love Van Gogh's paintings of fishing boats. The masts, spars, and rigging seem to complicate the composition to me. Especially the reddish orange diagonal line (boom?)! As always, I appreciate Vincent's use of yellow. His trip to Saintes-Maries-de-la-Mer lasted one week in June 1888, approximately two years before the artist's death in July 1890.

Sunrise (Mane) (1872-73), Monet

Another of Monet's sunrise paintings is on exhibit at the Getty Museum in Los Angeles, California, where my daughter recently visited. She knows of my passion for art and particularly impressionists. Just as atmospheric as the one above, but softer and less bright, I think I actually prefer this version to the other more famous sunrise painting.

Boats at Anchor (1917), Sargent

My favorite portrait artist, John Singer Sargent, also painted landscapes and seascapes. I love this watercolor of Boats at Anchor (1917). Sometimes I wish artists would edit out the somewhat repetitive reflections in favor of simplifying their compositions. Using watercolor though, Sargent merely suggests, rather than duplicates, the reflected images. His quick brushstrokes and squiggly masts make the water come alive with light and shadow. I'm not sure about the white blob in the bottom left corner (another boat?).

The Boat (1953), Matisse

As far as reflections, Henri Matisse created a rather simple paper-cut composition of a sailboat. In 1961, his work was mistakenly hung upside-down at MOMA in New York for 47 days before a museum patron alerted a guard about it. I love showing this one to my young art students! 

Vernazza Harbor (2024), Patterson

My last example of boats is my own acrylic painting of the harbor at Vernazza, Italy. I painted it for my daughter and her husband last year for Christmas, after promising it as their wedding present almost two years prior. The hardest part was the windows and the mooring pier to the right. I like the smaller reflections of the boats in the middle ground and how the reflection of the water shimmers on the wall of the pier. This would make an excellent jigsaw puzzle! Maybe I'll submit it for another Xmas gift.